The Spanish Chair
With the Spanish Chair Mogensen expanded upon his work with solid oak and saddle leather. The chair was launched in 1958 as part of an innovative living space exhibition, in which all tables were removed from the floor to create an open living space.
Dimensions
32.4" W x 23.6" D x 26.3" H
| Seat: 12.9" H | Arm: 21.2" HFinishes
Wood finishes:
Oak - Black Lacquered
Oak - Lacquered
Oak - Oiled
Oak - Light Oil
Oak - Smoke -Oiled
Oak - Soaped
Oak - White Oil
Walnut - OilLeather:
Natural
Black
Cognac
Fredericia
Fredericia Furniture began as a thoroughly Danish design house, born of a proud heritage. A heritage of unfaltering dedication to the perfection and progression of the design craft.
Simple principles guide us along in our ambition to create and deliver a collection that we believe will be the modern originals of tomorrow. Simple principles that honour outstanding quality through a careful selection of materials, functionality and attention to detail.
We are proud of our collaborations with a carefully chosen circle of international designers, all renown for their exceptional level of design integrity, as well as our ability to identify and nurture talent. All with the ambition of creating contemporary design that is always beautifully crafted, relevant and aesthetically intriguing.
- THOMAS GRAVERSEN, OWNER
Børge Mogensen
Børge Mogensen (1914-1972) was one of the most influential designers in shaping Danish Modern design and present day Fredericia’s founding designer from 1955 until his death in 1972. He found inspiration all over the world in his quest to create everyday objects that would endure for generations. Mogensen's most recognised pieces were developed during his collaboration and friendship with Fredericia CEO Andreas Graversen.
Børge Mogensen was one of the pioneers that created the foundation for the Danish Design as a culture of furniture design. His life-long ambition was to create durable and useful furniture that would enrich people’s everyday lives, and he designed functional furniture for all parts of the home and society.
Mogensen’s ideal was to create furniture with a restrained aesthetic. He believed that furniture should create a sense of tranquillity and have a modest appearance that encourages people to live their lives unpretentiously. He was acclaimed for his masterful sense of materials and proportions, and for his ability to create beautiful and distinctive furniture by emphasising simple horizontal and vertical lines and surfaces – all in an attempt to create aesthetic clear designs that were easy to produce.
Mogensen’s most recognisable pieces were developed to fit Fredericia’s workshop. One reason for Mogensen's immersive creativity at Fredericia was Graversen’s ability to follow him in his intentions and consistently fulfil his uncompromising demands for quality. To this day, Fredericia is the primary producer of Børge Mogensen’s furniture. Graversen and Mogensen’s high demands for quality, functionality and sense of material are still very much alive in our approach when developing new furniture today.
Mogensen received the The Eckersberg Medal 1950, as well as the highest architectural honours in Denmark, the C.F. Hansen medal, in 1972. In 1971 he and Andreas Graversen jointly received the Danish Furniture Prize for their contribution to the Danish furniture industry, and in 1972 Mogensen was appointed Honoury Royal Designer for Industry at the Royal Society of Arts in London. Examples of Mogensen’s designs can be seen in leading design museums around the world.
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